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Home > Gendering bodies/performing art: dance and literature in early-twentieth-century British culture

Gendering bodies/performing art: dance and literature in early-twentieth-century British culture


Book Informaton

Gendering bodies/performing art: dance and literature in early-twentieth-century British culture

Author

Amy Koritz

Year of Publication

1995

Publisher

University of Michigan Press

City of Publication

Ann Arbor

Pages

218

Language

en

ISBN

0472106163

ARI Id

1670104338970


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Showing 1 to 9 of 9 entries
Chapters/HeadingsAuthor(s)PagesInfo
Moving violations: dance in the London music hall
The dancer and woman's place: Maud Allan and Isadora Duncan
The symbolist dancer: the performance aesthetics of Isadora Duncan, Arthur Symons, and Edward Gordon Craig
Oscar Wilde's Salomé: rewriting the fatal woman
Dance and gender in Yeats's early plays for dancers
The aesthetics of control: G. B. Shaw and the performer
Usurping high culture: the Russian Ballet, I
Disappearing acts: ideology and the performer in T. S. Eliot's early criticism
Massine and modernism: the Russian Ballet, II.
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 9 of 9 entries