Chapter: Introduction: Blake, Modernity and Popular Culture

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Home > Blake, Modernity and Popular Culture > Introduction: Blake, Modernity and Popular Culture

Blake, Modernity and Popular Culture |

S. Clark; J. Whittaker

Palgrave Macmillan UK

Introduction: Blake, Modernity and Popular Culture

Chapter Info

Authors

Steve Clark; Jason Whittaker

ARI Id

1664031969374_72097

Access

Not Available Free

Pages

1-11

DOI

10.1057/9780230210776_1

Chapter URL

https://rd.springer.com/chapter/10.1057/9780230210776_1

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		i-x
Introduction: Blake, Modernity and Popular Culture	Steve Clark; Jason Whittaker	1-11
Popular Millenarianism and Empire in Blake’s Night Thoughts	G. A. Rosso	12-25
Blake in Theatreland: Fountain Court and its Environs	David Worrall	26-38
Emanations and Negations of Blake in Victorian Art Criticism	Colin Trodd	39-56
‘Esoteric Blakists’ and the ‘Weak Brethren’: How Blake Lovers Kept the Popular out	Shirley Dent	57-68
Blake: Between Romanticism and Modernism	Edward Larrissy	69-77
‘There is no Competition’: Eliot on Blake, Blake in Eliot	Steve Clark	78-99
Children of Albion: Blake and Contemporary British Poetry	James Keery	100-112
Queer Bedfellows: William Blake and Derek Jarman	Mark Douglas	113-126
‘This Angel, who is now become a Devil, is my particular Friend’: Diabolic Friendships and Oppositional Interrogation in Blake and Rushdie	Matt Green	127-139
Friendly Enemies: A Dialogical Encounter between William Blake and Angela Carter	Christopher Ranger	140-150
Blake beyond Postmodernity	Mark Lussier	151-162
What is it Like to be a Blake? Psychiatry, Drugs and the Doors of Perception	Wayne Glausser	163-178
The Silence of the Lamb and the Tyger: Harris and Blake, Good and Evil	Michelle Gompf	179-191
From Hell: Blake and Evil in Popular Culture	Jason Whittaker	192-204
Fit Audience Tho Many: Pullman’s Blake and the Anxiety of Popularity	Susan Matthews	205-220
Back Matter		221-240
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