Chapter: 4 - Race matters in South African theatre

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Home > Theatre Matters: Performance and Culture on the World Stage > 4 - Race matters in South African theatre

Theatre Matters: Performance and Culture on the World Stage |

Richard Boon; Jane Plastow; Wole Soyinka

Cambridge University Press

Theatre Matters: Performance and Culture on the World Stage

4 - Race matters in South African theatre

Chapter Info

Authors

Ian Steadman

ARI Id

1664034948168_10567838

Access

Not Available Free

Pages

55-75

Chapter URL

https://www.cambridge.org/core/books/theatre-matters/race-matters-in-south-african-theatre/EDDEEFF0AC884470985DD47E9ADEB9C8

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i-vi
Contents		vii-viii
Notes on contributors		ix-x
Foreword: A letter from Kingston		xi-xviii
Preface	Richard Boon; Jane Plastow	xix-xxi
Acknowledgements		xxii-xxii
1 - Introduction	Jane Plastow	1-10
2 - ‘The Revolution as Muse’: drama as surreptitious insurrection in a post-colonial, military state	Femi Osofisan	11-35
3 - Making theatre for a change: two plays of the Eritrean liberation struggle	Jane Plastow; Solomon Tsehaye	36-54
4 - Race matters in South African theatre	Ian Steadman	55-75
5 - Dreams of violence: moving beyond colonialism in Canadian and Caribbean drama	Christopher Innes	76-96
6 - The French-speaking Caribbean: journeying from the native land	Carole-Anne Upton	97-125
7 - ‘Binglishing’ the stage: a generation of Asian theatre in England	Jatinder Verma	126-134
8 - Popular theatre for the building of social awareness: the Indian experience	Jacob Srampickal, Sj; Richard Boon	135-153
9 - The promise of performance: True Love/Real Love	Paul Heritage	154-176
10 - Making America or making revolution: the theatre of Ricardo Halac in Argentina	George Woodyard	177-198
Index		199-203
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