Chapter: Flicker and Motion in Film

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Home > Cinematic Apparatus > Flicker and Motion in Film

Cinematic Apparatus |

Teresa DeLauretis; Stephen Heath

Palgrave Macmillan UK

Flicker and Motion in Film

Chapter Info

Authors

Bill Nichols; Susan J. Lederman

ARI Id

1664160719592_525872

Access

Not Available Free

Pages

96-105

DOI

10.1007/978-1-349-16401-1_8

Chapter URL

https://rd.springer.com/chapter/10.1007/978-1-349-16401-1_8

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		i-x
The Cinematic Apparatus: Technology as Historical and Cultural Form	Stephen Heath	1-13
Cinema and Technology: A Historical Overview	Peter Wollen	14-25
The Industrial Context of Film Technology: Standardisation and Patents	Jeanne Thomas Allen	26-37
Towards an Economic History of the Cinema: The Coming of Sound to Hollywood	Douglas Gomery	38-46
Ideology and the Practice of Sound Editing and Mixing	Mary Ann Doane	47-60
The Post-War Struggle for Colour	Dudley Andrew	61-75
Motion Perception in Motion Pictures	Joseph Anderson; Barbara Anderson	76-95
Flicker and Motion in Film	Bill Nichols; Susan J. Lederman	96-105
Implications of the Cel Animation Technique	Kristin Thompson	106-120
Machines of the Visible	Jean-Louis Comolli	121-142
The Place of Visual Illusions	Maureen Turim	143-150
Technology and Ideology in/through/and Avant-Garde Film: An Instance	Peter Gidal	151-171
The Cinematic Apparatus: Problems in Current Theory	Jacqueline Rose	172-186
Through the Looking-Glass	Teresa de Lauretis	187-202
Back Matter		203-213
Chapters/Headings	Author(s)	Pages	Info

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