Chapter: Aus den Thesen »Das Ende des Impressionismus«

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Home > Jahrhundertwende: Manifeste und Dokumente zur deutschen Literatur 1890-1910 > Aus den Thesen »Das Ende des Impressionismus«

Jahrhundertwende: Manifeste und Dokumente zur deutschen Literatur 1890-1910 |

Erich Ruprecht; Dieter Bänsch

J.B. Metzler

Jahrhundertwende: Manifeste und Dokumente zur deutschen Literatur 1890-1910

Aus den Thesen »Das Ende des Impressionismus«

Chapter Info

Authors

Max Picard

ARI Id

1664357015600_1351379

Access

Not Available Free

Pages

312-320

DOI

10.1007/978-3-476-02976-8_69

Chapter URL

https://rd.springer.com/chapter/10.1007/978-3-476-02976-8_69

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		III-XLII
»Die gesellschaftliche Stellung der Schriftsteller«	Theodor Fontane	1-4
»Die Entwicklung der neueren Lyrik in Deutschland«	Julius Hart	5-23
»›Selbstanzeige‹ zum Erscheinen des ›Phantasus‹«	Arno Holz	23-32
»Impressionistische Lyrik«	Franz Servaes	32-40
»Der neue Rhythmus«	Karl Freiherr v. Levetzow	40-46
»Eine Replik«	Arno Holz	47-48
»Antwort« [auf Arno Holz ›Replik‹]	Karl Freiherr v. Levetzow	48-52
»Revolution der Lyrik«	Arno Holz	52-59
»Zur Entwicklung der lyrischen Technik«	Johannes Schlaf	59-62
»Alexandrinismus«	Johannes Schlaf	62-65
»Arno Holz’ ›Revolution der Lyrik‹«	Rudolf Steiner	66-69
»Reim und Rhythmus«	Edgar Steiger	69-72
»Detlev von Liliencron und die moderne Lyrik«	Leo Berg	72-76
»Mehr Humor«	Wilhelm Bölsche	77-78
»Die ›Arbeit‹ und der fin de siècle Roman«	Arthur Brausewetter	79-81
»Bilse und ich«	Thomas Mann	81-91
»Wohin mit dem Drama?«	Hanns v. Gumppenberg	92-94
»Wohin mit dem Drama? / Julius Brand contra Hanns v. Gumppenberg«	Julius Brand	95-99
»Das deutsche Lustspiel«	Conrad Alberti	99-104
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