Chapter: Artaud’s Les Cenci

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Home > The Early Modern Theatre of Cruelty and its Doubles: Artaud and Influence > Artaud’s Les Cenci

The Early Modern Theatre of Cruelty and its Doubles: Artaud and Influence |

Amanda Di Ponio

Springer International Publishing

The Early Modern Theatre of Cruelty and its Doubles: Artaud and Influence

Artaud’s Les Cenci

Chapter Info

Authors

Amanda Di Ponio

ARI Id

1665137599901_4992882

Access

Not Available Free

Pages

193-211

DOI

10.1007/978-3-319-92249-2_7

Chapter URL

https://rd.springer.com/chapter/10.1007/978-3-319-92249-2_7

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		i-xii
Introduction	Amanda Di Ponio	1-10
Front Matter		11-11
Interpreting Antonin Artaud’s Theatre of Cruelty	Amanda Di Ponio	13-43
Front Matter		45-45
Theatre and Plague: The Doubly Potent Spectacles of Early Modern Culture	Amanda Di Ponio	47-86
Bear-Baiting and the Theatre of Cruelty	Amanda Di Ponio	87-117
Front Matter		119-119
Thyestean Savagery: Seneca, the Renaissance, and the Theatre of Cruelty	Amanda Di Ponio	121-153
Artaud and the ‘Elizabethans’: Revenge Tragedy as Inspiration for a Theatre of Cruelty	Amanda Di Ponio	155-190
Front Matter		191-191
Artaud’s Les Cenci	Amanda Di Ponio	193-211
After Artaud: Peter Brook and The Theatre of Cruelty Season	Amanda Di Ponio	213-232
Conclusion	Amanda Di Ponio	233-235
Back Matter		237-270
Chapters/Headings	Author(s)	Pages	Info

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