Chapter: The Armed Vision Disarmed - Radical Formalism from Weapon to Style

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Home > Illuminations: Women Writing on Photography from the 1850s to the Present > The Armed Vision Disarmed - Radical Formalism from Weapon to Style

Illuminations: Women Writing on Photography from the 1850s to the Present |

Liz Heron; Val Williams

Routledge

Illuminations: Women Writing on Photography from the 1850s to the Present

The Armed Vision Disarmed - Radical Formalism from Weapon to Style

Chapter Info

Authors

Abigail Solomon-Godeau

ARI Id

1665684578649_13427824

Access

Open/Free Access

Pages

96-116

DOI

10.4324/9781003135630-16

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Chapters/Headings	Author(s)	Pages	Info
The Nineteenth Century in Europe		1-49
A Lady Photographer Who Never Photographs Men; A Talk with Miss Alice Hughes	Alice Hughes	3-7
Annals of My Glass House	Julia Margaret Cameron	8-13
Photography During the July Monarchy, 1830-1848	Gisèle Freund	14-20
The Camera Against the Paris Commune	Gen Doy	21-32
Extending the Grand Tour	Maria Morris Hambourg	32-37
Tracing Nadar	Rosalind Krauss	37-49
New Visions – The Avant-Gardes and After		51-116
Germany: The Weimar Republic	Ute Eskildsen	53-64
Photomontage	Varvara Stepanova	64-66
The Supremacy of the Message - Dada	Dawn Ades	66-70
A Hundred Years of Photography	Lucia Moholy	70-74
I Worked with Man Ray	Lee Miller	74-75
The Photographic Conditions of Surrealism	Rosalind Krauss	76-90
A Mutable Mirror: Claude Cahun	Therese Lichtenstein	91-95
The Armed Vision Disarmed - Radical Formalism from Weapon to Style	Abigail Solomon-Godeau	96-116
Distant Voices: Fashion and Portraiture in the Studio in the Inter-War Years		117-129
Photography, 1914	Olive Edis	119-121
Exhibitions and Commercial Work	Madame Yevonde	121-124
In Pursuit of Perfection	Dorothy Wilding	125-126
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