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Home > Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics > Performing and Rewriting Solitaire between Languages and Cultures: A Practitioner’s Testimonial
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics |
Sirkku Aaltonen; Areeg Ibrahim
Routledge
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics
Performing and Rewriting Solitaire between Languages and Cultures: A Practitioner’s Testimonial
Authors

DALIA BASIOUNY

ARI Id

1665696062581_13461632

Access

Not Available Free

Pages

119-130

DOI

10.4324/9781315670829-11

Table of Contents of Book
Showing 1 to 18 of 18 entries
Chapters/HeadingsAuthor(s)PagesInfo
Introduction
SIRKKU AALTONEN; AREEG IBRAHIM
13-26
PART I: Intercultural Rewriting
27-32
Perspiring Translators, Rowdy Audiences, and Ignorant Women: Narratives of the History of Egyptian Theatre
Egyptian Theatre SIRKKU AALTONEN
33-64
Politics of Choice and Cultural Representation in Translating Egyptian Drama between Two Revolutions (1952–2011)
AREEG IBRAHIM
65-108
Tawfīq al-Ḥākīm as the Representative Egyptian Dramatist in the West
MARVIN CARLSON
109-118
Performing and Rewriting Solitaire between Languages and Cultures: A Practitioner’s Testimonial
DALIA BASIOUNY
119-130
PART II: Interlingual Rewriting
131-134
Allusion in Three Translations of Hamlet into Arabic
OMAYA IBRAHIM KHALIFA
135-150
Translation and Dramaturgy in Egyptian Performances of King Lear
MOHAMED SAMIR AL-KHATIB (TRANS. MONA KHATTAB)
151-168
On Translating Shakespeare into Arabic: A Translator’s Testimonial
MOHAMED ENANI
169-174
PART III: Intercontextual Rewriting
175-180
Theatre-Making and Theatre Translation in Turn-of-the-Century Egypt: Theatricalizing the Theatre Field in Muhammad Taymur’s The Trial of the Playwrights SAMEH F. ḤANNā
181-191
From Spectators to “Spect-Actors”: All Tahrir’s a Stage
HEBA EL-ABBADI AND SALLY HAMMOUDA
192-212
Egyptian Realities on Stage and in Society: Theatre Reviews
NEHAD SELAIHA
213-230
PART IV: Intermedial Rewriting
231-236
Dramatizing Short Stories: Yussef El Guindi’s Rewriting of Salwa Bakr’s “That Beautiful Undiscovered Voice, ” and “Thirty-One Beautiful Green Trees”
SALWA RASHAD AMIN
237-256
It Is Not Just Phonetics and Aristocrats — It Is Sexuality and Politics: The Adaptation of Bernard Shaw’s Pygmalion in the Egyptian Theatre
WESSAM ELMELIGI
257-271
Testimonial — A Documentary in the Making: Live on Stage: A Century and a Half of Theatre in Egypt
MONA MIKHAIL
272-281
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 18 of 18 entries
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