Chapter: ‘A Woman’s Place’

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Home > The Routledge Research Companion to Popular Music and Gender > ‘A Woman’s Place’

The Routledge Research Companion to Popular Music and Gender |

Stan Hawkins

Routledge

‘A Woman’s Place’

Chapter Info

Authors

Steve Waksman

ARI Id

1665709142919_13502439

Access

Not Available Free

Pages

215-228

DOI

10.4324/9781315613437-19

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Stan Hawkins	1-12
Masculinities, femininities, community, and transcultural practice		13-76
Growing up to be a Rapper?	Barbara Bradby	15-34
“Where We Going Johnny?” Homosociality and the Early Beatles 1	Matthew Bannister	35-47
From Throat Singing to Transcultural Expression	Sophie Stévance	48-62
Spectres of Masculinity	Eirik Askerøi	63-76
Audiovisuality, sex(uality), women, and the politics of looking		77-131
“You Mean I can Make a TV Show?”	Anahid Kassabian	79-88
Holding on for Dear Life	Kai Arne Hansen	89-101
Gender, Sexuality and the Politics of Looking in Beyoncé’s ‘Video Phone’ (Featuring Lady Gaga)	Lori Burns; Marc Lafrance	102-116
‘Working It’	Marita B. Djupvik	117-131
Vernacular soundworlds, narratives, and stardom		133-210
High Notes, High Drama	Freya Jarman	137-151
The Gendered Narratives of Nobodies and Somebodies in the Popular Music Economy	Keith Negus	152-165
Staging The ‘Street Boy’	Birgitte Sandve	166-181
Fairport Convention	Tor Dybo	182-195
“I Don’t Play Girly House Music”	Tami Gadir	196-210
Gender, race, and the female celebrity		211-280
‘A Woman’s Place’	Steve Waksman	215-228
Beyoncé	Marquita R. Smith	229-241
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