Chapter: The Physics of Musical Sound

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Home > Electronic and Experimental Music: Technology, Music, and Culture > The Physics of Musical Sound

Electronic and Experimental Music: Technology, Music, and Culture |

Thom Holmes

Routledge

Electronic and Experimental Music: Technology, Music, and Culture

The Physics of Musical Sound

Chapter Info

Authors

Thom Holmes

ARI Id

1665737100647_13586537

Access

Not Available Free

Pages

54-74

DOI

10.4324/9780429425585-6

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Chapters/Headings	Author(s)	Pages	Info
Electronic Music Fundamentals		1-74
What is Electronic Music?	Thom Holmes	2-12
Listening to Electronic Music	Thom Holmes	13-24
How Electronic Music is Composed	Thom Holmes	25-44
Electronic Music Composition by Process	Thom Holmes	45-53
The Physics of Musical Sound	Thom Holmes	54-74
Analog and Digital Synthesis Basics	Thom Holmes	75-87
Computer Music Basics	Thom Holmes	88-105
Tape Composition and Sound Editing	Thom Holmes	106-127
MIDI, Noise Reduction, and Audio Compression Technologies	Thom Holmes	128-142
History of Electronic and Computer Music		143-424
Earliest Experiments in Electronic Music (Pre-1920)	Thom Holmes	144-162
Electronic Music Performance Instruments (1920–40)	Thom Holmes	163-186
The History of Audio Recording Technology	Thom Holmes	187-198
Edgard Varèse and The Listener’s Experiment	Thom Holmes	199-211
212Musique Concrète in France	Thom Holmes	212-230
231Elektronische Musik in Germany	Thom Holmes	231-252
Other European Electronic Music Studios	Thom Holmes	253-268
John Cage in the United States	Thom Holmes	269-285
The Columbia–Princeton Electronic Music Center, New York	Thom Holmes	286-307
Chapters/Headings	Author(s)	Pages	Info

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