Chapter: Experimental Approaches to Reader Responses to Literature

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Home > New Directions in Aesthetics, Creativity, and the Arts > Experimental Approaches to Reader Responses to Literature

New Directions in Aesthetics, Creativity, and the Arts |

Paul Locher; Colin Martindale; Leonid Dorfman

Routledge

New Directions in Aesthetics, Creativity, and the Arts

Experimental Approaches to Reader Responses to Literature

Chapter Info

Authors

David S. Miall

ARI Id

1665767732852_13679706

Access

Not Available Free

Pages

175-188

DOI

10.4324/9781315224084-14

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Chapters/Headings	Author(s)	Pages	Info
Visual Aesthetics		1-76
Perception and Moving Pictures: From Brunelleschi and Berkeley to Video and Video Games	Julian Hochberg; Virginia Brooks	3-18
Experimental Scrutiny of the Role of Balance in the Visual Arts	Paul Locher	19-32
The Mere Exposure Effect and Aesthetic Preference	James E. Cutting	33-46
The Nature and Growth of Aesthetic Fluency	Lisa F. Smith; Jeffrey K. Smith	47-58
Aesthetic Universals in Cultural Perception and Practice	Dorothy Washburn	59-76
New Direction In Creativity		77-150
Stalking the Elusive Creativity Quark: Toward a Comprehensive Theory of Creativity	Robert J. Sternberg	79-104
A Medaindividual Model of Creativity	Leonid Dorfman	105-122
Cinematic Creativity and Aesthetics: Empirical Analyses of Movie Awards	Dean Keith Simonton	123-136
Creativity and Design: What the Established Teaches Us	Kees Overbeeke; Jodi Forlizzi	137-150
Art and Cognition		151-206
Emergence, Anticipation, and Schematization Processes in Listening to a Piece of Music: A Re-Reading of the Cue Abstraction Model	Irène Deliège	153-174
Experimental Approaches to Reader Responses to Literature	David S. Miall	175-188
Studio Thinking: How Visual Arts Teaching Can Promote Disciplined Habits of Mind	Ellen Winner; Lois Hetland; Shirley Veenema; Kim Sheridan; Patricia Palmer	189-206
Art, Affect, And Personality		207-268
Emotion in Aesthetics and the Aesthetics of Emotion	Gerald C. Cupchik	209-224
Personality and Artistic Style: Patterns of Connection	Pavel Machotka	225-238
Pretend Play, Affect, and Creativity	Sandra W. Russ	239-250
Strong Experiences Elicited by Music—What Music?	Alf Gabrielsson	251-268
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