Chapter: Loudness – the sales gimmick

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Home > Mastering in Music > Loudness – the sales gimmick

Mastering in Music |

John Paul Braddock; Russ Hepworth-Sawyer; Jay Hodgson; Matt Shelvock; Rob Toulson

Routledge

Loudness – the sales gimmick

Chapter Info

Authors

Jay ‘Jedi’ Hodgson

ARI Id

1665817678875_13839893

Access

Not Available Free

Pages

226-233

DOI

10.4324/9780429276590-16

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Chapters/Headings	Author(s)	Pages	Info
Mastering: practice		1-118
The creative mastering studio	Alexander Hinksman	3-18
Surround + immersive mastering	Darcy Proper; Thor Legvold	19-43
Towards a definition of compression glue in mastering	Austin Moore	44-59
Engineering authenticity	Neil O’ Connor	60-76
Mastering for streaming	Scott Harker	77-103
Mastering audio analysis	John Paul Braddock	104-118
Mastering: music and people		119-207
Interview with Darcy Proper	Rob Toulson	121-135
‘Past’ masters, present beats	Michail Exarchos	136-154
Remastering Sunnyboys	Stephen Bruel	155-173
Mastering success	Russ Hepworth-Sawyer	174-187
Peak-Fi	Crispin Herrod-Taylor	188-207
Mastering: future		209-295
The shifting discourse on audio mastering	Carlo Nardi	211-225
Loudness – the sales gimmick	Jay ‘Jedi’ Hodgson	226-233
Audio mastering facing automation	Thomas Birtchnell; Andrew Whelan	234-248
Transformations and continuities in the mastering sector	Steve Collins; Adrian Renzo; Sarah Keith; Alex Mesker	249-263
Mastering in music	J.P. Braddock; Russ Hepworth-Sawyer	264-275
Signature mastering	Holger Lund	276-295
Chapters/Headings	Author(s)	Pages	Info

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