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Home > Global Insights on Theatre Censorship > Anthony Neilson’s Stitching and the High Moral Ground: A Case Study from Malta
Global Insights on Theatre Censorship |
Catherine O&s; Leary; Diego Sánchez; Michael Thompson
Routledge
Global Insights on Theatre Censorship
Anthony Neilson’s Stitching and the High Moral Ground: A Case Study from Malta
Authors

VICKI ANN CREMONA

ARI Id

1665832809406_13884631

Access

Not Available Free

Pages

265-278

DOI

10.4324/9781315714417-30

Table of Contents of Book
Showing 1 to 20 of 22 entries
Chapters/HeadingsAuthor(s)PagesInfo
Introduction: Censorship and Creative Freedom
CATHERINE O’LEARY
21-43
Theatre Censorship Apparatuses: Summaries of the Systems Discussed in this Volume
DIEGO SANTOS SÁNCHEZ AND MICHAEL THOMPSON
44-52
PART I: First-Hand Experiences of Censorship
53-54
The Dictator’s Gift of Censorship
FERNANDO ARRABAL
55-62
The Strategy of Communist Censorship in Poland towards the Most Critical and Subversive Student Theatre Productions of 1978 and 1979
JULIUSZ TYSZKA
63-77
Between the Silence of Submission and the Challenges of Authenticity: Theatrical Censorship in Franco’s Spain (1939–75)
PATRICIA W. O’CONNOR
78-87
Theatre Censorship in South Asia: Hegemony and Ambivalence
ABHI SUBEDI
88-98
Silence One Story and Another is Born: Experience of Censorship in Iran and the UK in 2010
LISA GOLDMAN
99-112
PART II: Censorship in Authoritarian Regimes
113-114
Who was Afraid of Fernando Arrabal? The Architect and the Emperor of Assyria in Yugoslavia
DENIS PONIŽ
115-128
Hide and Seek: Selected Stratagems of Polish Independent Theatre Companies
JOANNA OSTROWSKA
129-143
Der Georgsberg: The Economy as Theatre in the German Democratic Republic
BARRIE BAKER
144-156
Bowdlerised Shakespeare Productions in Hungary and Portugal
ZSÓFIA GOMBÁR
157-168
Theatre Censorship in Portugal during the Estado Novo: Policies, Censors, Organisation and Procedures
ANA CABRERA
169-181
An Overview of Theatre Censorship in Brazil (1925–1970)
MAYRA RODRIGUES GOMES AND ELIZA BACHEGA CASADEI
182-195
Mapping Translated Theatre in Spain through Censorship Archives
RAQUEL MERINO ÁLVAREZ
196-210
Regime Loyalty and Rebellion: Re-Inventing the Colonial Censorship Nightmare in Zimbabwe
PRAISE ZENENGA
211-228
PART III: Censorship in Democratic States
229-230
Stage Irish Neutrality: Theatre Censorship during the ‘Emergency’, 1939–45 DONAL Ó DRISCEOIL
231-240
Not Recommended for Licence: British Theatre Censorship under the Lord Chamberlain
STEVE NICHOLSON
241-253
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 22 entries
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