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Home > Touring Performance and Global Exchange 1850–1960: Making Tracks > Abolition and the Actress: Fanny Kemble&s; s Evolving Views on Slavery and Gendered Exploitation in Labour and Trade
Touring Performance and Global Exchange 1850–1960: Making Tracks |
Gilli Bush-Bailey; Kate Flaherty
Routledge
Touring Performance and Global Exchange 1850–1960: Making Tracks
Abolition and the Actress: Fanny Kemble&s; s Evolving Views on Slavery and Gendered Exploitation in Labour and Trade
Authors

Kate Flaherty

ARI Id

1665845812049_13924684

Access

Not Available Free

Pages

171-188

DOI

10.4324/9781003055860-11

Table of Contents of Book
Showing 1 to 20 of 20 entries
Chapters/HeadingsAuthor(s)PagesInfo
Introduction: Vanishing Acts and Making Tracks
Kate Flaherty; Gilli Bush-Bailey
1-9
Kungkarangkalpa: Travelling Women of the Seven Sisters Songline
Diana James; Inawinytji Williamson
10-28
Ephemerality and Creative Methodology
29-92
Mid-Nineteenth-Century Cantonese Opera Performances in the Victorian Goldfields
Joanne Tompkins; Liyang Xia
31-47
Bodies of Evidence: The Unremarkable History of Emma Stanley (1816–81)
Jacky Bratton; Gilli Bush-Bailey
48-64
Lady Clowns: Clown-Ballerinas, Dancing “Clownesses” and Female Clowns on the Popular Stage Around 1900
Anna-Sophie Jürgens
65-81
Tracks, Knots, Stage Tact and Boots: A Reflection
Jane Woollard
82-92
Peril, Illness, and Ageing
93-168
“It was a most beautiful moonlit night …”: Mrs John Drew&s; s Shipwreck Narratives
Marlis Schweitzer
95-104
Risk and Colonial Touring: Female Circus Performers in Aerial and Lion Acts
Peta Tait
105-118
Reading Race, Repertoire and Transcontinental Reception Through Madame Celeste&s; s Colonial Encounter
Janice Norwood
119-137
“Covent Garden on Wheels”: Thomas Quinlan&s; s Operatic Tours of 1912–14 and Beyond
Kerry Murphy
138-148
“Let Me Come to Athens [/Lamplough], Shelter Me, Accept Me in Your Home”: Medea Transported to the Goldfields and Beyond in Nineteenth-Century Australia 1
Laura Ginters
149-168
Reversed Flows and Cross Currents
169-265
Abolition and the Actress: Fanny Kemble&s; s Evolving Views on Slavery and Gendered Exploitation in Labour and Trade
Kate Flaherty
171-188
Women Take Control: Managers of English-Language Opera Companies in Late Nineteenth-Century America
Katherine K. Preston
189-207
Transporting Humour: Artemus Ward and American Comedy in Britain
Sarah Balkin
208-217
Australian Child Actors on Early Twentieth-Century Touring Circuits 1
Gillian Arrighi
218-237
Crossing the Ditch: 1 Trans-Tasman Stages 1841–96
Mark Houlahan
238-247
Between the “Theatre Game” and Anthropology: International and Indigenous Black Women Entertainers Perform Modernity in Australia 1950s–1960s
Veronica Kelly
248-265
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 20 entries
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