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Home > Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres > The ‘ethnic villancico’ and racial politics in 17th-century México
Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres |
Tess Knighton
Routledge
Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres
The ‘ethnic villancico’ and racial politics in 17th-century México
Authors

Geoffrey Baker

ARI Id

1665861463272_13971570

Access

Not Available Free

Pages

399-408

DOI

10.4324/9781315094892-15

Table of Contents of Book
Showing 1 to 16 of 16 entries
Chapters/HeadingsAuthor(s)PagesInfo
Introduction
Tess Knighton; Álvaro Torrente
1-14
Weaving ensaladas *
Pepe Rey
15-51
Song migrations: the case of Adorámoste, Señor
Tess Knighton
53-76
The villancico in the works of early Castilian playwrights (with a note on the function and performance of the musical parts)
Alberto del Río
77-98
Function and liturgical context of the villancico in Salamanca Cathedral *
Álvaro Torrente
99-147
‘The third villancico was a motet’: the villancico and related genres
Andrea Bombi
149-187
The villancico as music of state in 17th-century Spain
Pablo-L. Rodríguez
189-198
Religiosity, power and aspects of social representation in the villancicos of the Portuguese Royal Chapel 1
Rui Cabral Lopes
199-217
‘Music charms the senses…’: devotional music in the Triunfos festivos of San Ginés, Madrid, 1656
Hathaway Janet
219-230
A literary and typological study of the late 17th-century villancico
Alain Bégue
231-282
Pastorelas and the pastoral tradition in 18th-century Spanish villancicos
Pilar Ramos López
283-306
The noël à grand chœur of south-western France and the Iberian villancico: towards a comparison *
Benoît Michel
307-320
De rosas cercada: music by Francisco de la Huerta for the nuns of Santa Ana de Ávila (1767–78) *
María Gembero Ustàrroz
321-361
Historical and literary vestiges of the villancico in the early modern Philippines
David Irving
363-398
The ‘ethnic villancico’ and racial politics in 17th-century México
Geoffrey Baker
399-408
The popular, the sacred, the colonial and the local: the performance of identities in the villancicos from Sucre (Bolivia) *
Bernardo Illari
409-440
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 16 of 16 entries
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