Chapter: ‘A London Architect Who Has Specialised&s;

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Home > Setting the Scene: Perspectives on Twentieth-Century Theatre Architecture > ‘A London Architect Who Has Specialised&s;

Setting the Scene: Perspectives on Twentieth-Century Theatre Architecture |

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Setting the Scene: Perspectives on Twentieth-Century Theatre Architecture

‘A London Architect Who Has Specialised&s;

Chapter Info

Authors

ARI Id

1665921493813_14156409

Access

Not Available Free

Pages

133-162

DOI

10.4324/9781315608471-7

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Alistair Fair	1-18
Fifty Years of Theatre-making	Iain Mackintosh	19-34
The German Reform Theatre	Gerald Adler	35-60
The Westernisation of the Japanese Performance Venue between 1870 and 1970	Neil Jackson	61-80
The Malmö Stadsteater	Max Gelibter	81-102
Theatres in West Germany, 1945–70	Elain Harwood	103-132
‘A London Architect Who Has Specialised&s;	Alistair Fair	133-162
The Limits of 1960s Radicalism	Barnabas Calder	163-178
Ideal Theatres	Arnold Aronson	179-200
Stage and City	Richard William Hayes	201-218
The Friedrichstadt Palace in East Berlin	Florian Urban	219-236
Encore	Iain Mackintosh	237-238
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