Chapter: Producing Music for Immersive Audio Experiences

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Home > Producing Music > Producing Music for Immersive Audio Experiences

Producing Music |

Russ Hepworth-Sawyer; Jay Hodgson; Mark Marrington

Routledge

Producing Music for Immersive Audio Experiences

Chapter Info

Authors

Rob Lawrence

ARI Id

1665930453286_14186165

Access

Not Available Free

Pages

134-155

DOI

10.4324/9781315212241-9

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Russ Hepworth-Sawyer; Jay Hodgson; Mark Marrington	1-5
Music Production and Genre		7-115
Socio-Technical Networks and Music Production Competencies	Matt Shelvock	9-31
Boom Bap Ex Machina	Michail Exarchos	32-51
The DAW, Electronic Music Aesthetics, and Genre Transgression in Music Production	Mark Marrington	52-74
Antonio Carlos Jobim	Marcio Pinho; Rodrigo Vicente	75-86
Compost Listening	Josh Ottum	87-103
Classical Production	Robert Toft	104-115
Music Production and Technology		117-226
The Politics of Digitizing Analogue Recording Technologies	Pat O’Grady	119-133
Producing Music for Immersive Audio Experiences	Rob Lawrence	134-155
Producing 3-D Audio	Justin Paterson; Gareth Llewellyn	156-178
Popular Music Production in Laptop Studios	Thomas Brett	179-193
Real-Time, Remote, Interactive Recording Sessions	Zack Moir; Paul Ferguson; Gareth Dylan Smith	194-208
Tracking With Processing and Coloring as You Go	Austin Moore	209-226
Concepts of Production		227-277
Working With Sound in the DAW	Stace Constantinou	229-245
Coproduction	Robert Wilsmore	246-262
Narrative and the Art of Record Production	Alexander C. Harden	263-277
The Context of Production		279-328
Chapters/Headings	Author(s)	Pages	Info

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