Chapter: Revolted Negroes and the Devilish Principle: William Blake and Conflicting Visions of Boni&s; s Wars in Surinam, 1772

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Home > Blake, Politics, and History > Revolted Negroes and the Devilish Principle: William Blake and Conflicting Visions of Boni&s; s Wars in Surinam, 1772–1796

Blake, Politics, and History |

Jackie DiSalvo; G. Rosso; Christopher Hobson

Routledge

Revolted Negroes and the Devilish Principle: William Blake and Conflicting Visions of Boni&s; s Wars in Surinam, 1772–1796

Chapter Info

Authors

Anne Rubenstein; Camilla Townsend

ARI Id

1666048823586_14563202

Access

Not Available Free

Pages

273-298

DOI

10.4324/9781315675176-22

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Jackie Disalvo	xiii-lxxvii
Blake and the Question of Revolution		3-143
The Myth of Blake&s; s “Orc Cycle”	Christopher Z. Hobson	5-36
Blake&s; s Bible of Hell: Prophecy as Political Program	Stephen C. Behrendt	37-52
The Anxiety of Production: Blake&s; s Shift from Collective Hope to Writing Self	Eric V. Chandler	53-79
William Blake&s; s Figurai Politics	James E. Swearingen	80-94
Blake and the Underground		95-143
Art and Politics		147-246
“Lovers of Wild Rebellion”: The Image of Satan in British Art of the Revolutionary Era	John Hutton	149-168
The Mob and “Mrs Q”: William Blake, William Benbow, and the Context of Regency Radicalism	David Worrall	169-184
The French Revolution, ‘America” and “Europe’		185-246
Blake, Empire and Slavery		249-353
Empire of the Sea: Blake&s; s “King Edward the Third” and English Imperial Poetry	G.A. Rosso	251-272
Revolted Negroes and the Devilish Principle: William Blake and Conflicting Visions of Boni&s; s Wars in Surinam, 1772–1796	Anne Rubenstein; Camilla Townsend	273-298
Blake and Women		299-353
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