Chapter: Mixing In/and Modern Electronic Music Production

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Mixing Music |

Russ Hepworth-Sawyer; Jay Hodgson

Routledge

Mixing In/and Modern Electronic Music Production

Chapter Info

Authors

ANDY DEVINE; JAY HODGSON

ARI Id

1666107946576_14752934

Access

Not Available Free

Pages

173-189

DOI

10.4324/9781315646602-21

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Chapters/Headings	Author(s)	Pages	Info
Introduction	RUSS HEPWORTH-SAWYER AND JAY HODGSON	21-27
Exploring Potential of the Mix: Historical Milestones and Expanded Perspectives	Expanded Perspectives MARTYN PHILLIPS	28-43
How to Listen, What to Hear	WILLIAM MOYLAN	44-72
Proxemic Interaction in Popular Music Recordings		73-81
Top-Down Mixing—A 12-Step Mixing Program	PHIL HARDING	82-96
Mixing in the Box	JUSTIN PATERSON	97-113
Audio Editing In/and Mixing	ALASTAIR SIMS WITH JAY HODGSON	114-133
Pre-Production in Mixing: Mixing in Pre-Production	DYLAN LAUZON	134-141
Between the Speakers: Discussions on Mixing	DEAN NELSON	142-159
Mixing for Markets	ALEX KROTZ WITH JAY HODGSON	160-172
Mixing In/and Modern Electronic Music Production	ANDY DEVINE; JAY HODGSON	173-189
Groove and the Grid: Mixing Contemporary Hip Hop	MATT SHELVOCK	190-207
The Mix Is. The Mix Is Not.	ROBERT WILSMORE; CHRISTOPHER JOHNSON	208-218
Mixing Metaphors: Aesthetics, Mediation and the Rhetoric of Sound Mixing	MARK MARRINGTON	219-235
Mix as Auditory Response	JAY HODGSON	236-245
An Intelligent Systems Approach to Mixing Multitrack Audio	JOSHUA D. REISS	246-264
How Can Academic Practice Inform Mix-Craft?	GARY BROMHAM	265-276
The Dreaded Mix Sign-Off: Handing Over to Mastering	ROB TOULSON	277-289
Conclusion: Mixing as Part-History, Part-Present and Part-Future	RUSS HEPWORTH-SAWYER	290-298
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