Chapter: Recording and Tracking: Capturing and Shaping the Performance

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Home > Understanding and Crafting the Mix: The Art of Recording > Recording and Tracking: Capturing and Shaping the Performance

Understanding and Crafting the Mix: The Art of Recording |

William Moylan

Routledge

Understanding and Crafting the Mix: The Art of Recording

Recording and Tracking: Capturing and Shaping the Performance

Chapter Info

Authors

William Moylan

ARI Id

1666245496343_15191706

Access

Not Available Free

Pages

377-403

DOI

10.4324/9780203758410-23

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Chapters/Headings	Author(s)	Pages	Info
Defining the Art of Recording:		1-82
The Elements of Sound and Audio Recording	William Moylan	3-36
The Aesthetic and Artistic Elements of Sound in Audio Recordings	William Moylan	37-59
The Musical Message and the Listener	William Moylan	60-82
Learning to Listen, Beginning to Hear:		83-144
Listening and Evaluating Sound for the Aspiring Audio Professional	William Moylan	85-100
Fundamental Listening Skills	William Moylan	101-125
A System for Evaluating Sound	William Moylan	126-144
Understanding the Mix:		145-296
Evaluating Pitch in Audio and Music Recordings	William Moylan	147-164
Evaluating Loudness in Audio and Music Recordings	William Moylan	165-185
Evaluating Sound Quality	William Moylan	186-204
Evaluating the Spatial Elements of Two-Channel Sound	William Moylan	205-243
Evaluating the Spatial Elements of Surround Sound	William Moylan	244-267
Complete Evaluations and Understanding Observations	William Moylan	268-296
Crafting the Mix:		297-443
The Roles of the Recordist and the Aesthetics of Recording Production	William Moylan	299-316
The Sounds of Recordings: Shaping Musical Ideas and Musical Expression	William Moylan	317-338
Preproduction and Preliminary Stages: Embracing Reality and Defining the Materials of the Project	William Moylan	339-376
Recording and Tracking: Capturing and Shaping the Performance	William Moylan	377-403
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