Chapter: ‘Why then the world&s; s mine oyster/Which I with sword will open&s;

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Home > Shakespeare, Race and Performance: The Diverse Bard > ‘Why then the world&s; s mine oyster/Which I with sword will open&s;

Shakespeare, Race and Performance: The Diverse Bard |

Delia Jarrett-Macauley

Routledge

Shakespeare, Race and Performance: The Diverse Bard

‘Why then the world&s; s mine oyster/Which I with sword will open&s;

Chapter Info

Authors

Michael Pearce

ARI Id

1666306094960_15388102

Access

Not Available Free

Pages

65-79

DOI

10.4324/9781315691213-8

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Delia Jarrett-Macauley	1-19
Shaping the debate		21-62
The Bard abroad in Africa	Eldred Durosimi Jones	23-29
Classical Binglish in the twenty-first century	Jatinder Verma	30-42
Diversity	Naseem Khan	43-48
Ayanna Thompson in conversation with Dawn Monique Williams, 2 July, 2015	Delia Jarrett-Macauley	49-62
The diverse Bard on stage		63-134
‘Why then the world&s; s mine oyster/Which I with sword will open&s;	Michael Pearce	65-79
Will we ever have a black Desdemona?	Lynette Goddard	80-95
Much Ado About Knotting	Varsha Panjwani	96-109
David Thacker and Bill Alexander	Jami Rogers	110-121
The black body and Shakespeare	Michael McMillan	122-134
The creative professionals		135-159
1960s Birmingham to 2012 Stratford-upon-Avon	Iqbal Khan	137-145
Dancing since strapped to their mothers&s; backs	Diane Alison-Mitchell	146-153
Tropical Shakespeare	Pat Cumper	154-159
Changing spaces, changing minds		161-183
Souks, saris and Shakespeare	Sita Thomas	163-174
Brave new Bard	Terri Power	175-183
Chapters/Headings	Author(s)	Pages	Info

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