Chapter: 5 Grammar Lessons: Dying and Difference

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Home > Death and the Moving Image: Ideology, Iconography and I > 5 Grammar Lessons: Dying and Difference

Death and the Moving Image: Ideology, Iconography and I |

Michele Aaron

Edinburgh University Press

Death and the Moving Image: Ideology, Iconography and I

5 Grammar Lessons: Dying and Difference

Chapter Info

ARI Id

1666520638725_6771937

Access

Not Available Free

Pages

127

DOI

10.1515/9780748630479-008

Chapter URL

https://www.degruyter.com/document/doi/10.1515/9780748630479-008/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
Contents		v
Figures		vii
Acknowledgements		viii
Introduction: Everywhere and Nowhere		1
1 Self-endangerment and the Subject of Film		17
2 Cinema and Suicide		40
3 Sacrifice and Spectatorship in Context		69
4 The Cinematic Language of Dying		99
5 Grammar Lessons: Dying and Difference		127
6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved		155
7 At Last: Towards a Cinema of No Return		181
Notes		199
Bibliography		223
Filmography		245
Index		251
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