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Home > Journeys on Screen: Theory, Ethics, Aesthetics > Introduction

Journeys on Screen: Theory, Ethics, Aesthetics |

Louis Bayman; Natália Pinazza

Edinburgh University Press

Introduction

Chapter Info

Authors

Louis Bayman; Natália Pinazza

ARI Id

1666718415884_7473876

Access

Not Available Free

DOI

10.1515/9781474421843-003

Chapter URL

https://www.degruyter.com/document/doi/10.1515/9781474421843-003/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
Contents		v
Figures		vii
Notes on the Contributors		ix
Introduction	Louis Bayman; Natália Pinazza	1
1 Global Visions: Around-the-World Travel and Visual Culture in Early Modernity	Tiago de Luca	19
2 Brief Encounters: The Railway Station on Film	Lucy Mazdon	36
3 Diasporic Dreams and Shattered Desires: Displacement, Identity and Tradition in Heaven on Earth	Clelia Clini	50
4 Chronotopic Ghosts and Quiet Men: José Luis Guerín’s Innisfree	Michael Pigott	70
5 Memories, Notebooks, Roads: The Essayistic Journey in Time and Space	Adam Ludford Freeman	86
6 Shadows of Unforgotten Ancestors: Representations of Estonian Mass Deportations of the 1940s in In the Crosswind and Body Memory	Eva Näripea	103
7 The Holocaust and the Cinematic Landscapes of Postmemory in Lithuania, Hungary and Ukraine	Maurizio Cinquegrani	118
8 Hesitant Journeys: Fugitive and Migrant Narratives in the New Romanian Cinema	László Strausz	130
9 Women on the Road: Representing Female Mobility in Contemporary Hungarian–Romanian Co-productions	Hajnal Király	147
10 The Sense of an Ending: Music, Time and Romance in Before Sunrise	Carlo Cenciarelli	167
11 Moving in Circles: Kinetic Elite and Kinetic Proletariat in ‘End of the World’ Films	Ewa Mazierska	183
12 Gothic Journeys: Travel and Transportation in the Films of Terence Fisher	Chris Fujiwara	199
13 Transnational Productions and Regional Funding: Bordercrossing, European Locations and the Case of Contemporary Horror	Stefano Baschiera	215
14 Colonialism in Latin American Road Movies	Natália Pinazza	235
15 Spaces of Failure: The Gendering of Neoliberal Mobilities in the US Indie Road Movie	Anna Cooper	252
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