Chapter: A Note on Sources and Methods

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Home > New Musical Figurations: Anthony Braxton's Cultural Critique > A Note on Sources and Methods

New Musical Figurations: Anthony Braxton's Cultural Critique |

Ronald M. Radano

University of Chicago Press

New Musical Figurations: Anthony Braxton's Cultural Critique

A Note on Sources and Methods

Chapter Info

ARI Id

1666806013499_7793331

Access

Open/Free Access

Pages

xv

DOI

10.7208/9780226701943-003

PDF URL

https://www.degruyter.com/document/doi/10.7208/9780226701943-003/pdf

Chapter URL

https://www.degruyter.com/document/doi/10.7208/9780226701943-003/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
Contents		vii
Illustrations		ix
Acknowledgments		xi
A Note on Sources and Methods		xv
1. Introduction: A New Musical Balance		1
2. Chicago as Aesthetic Center		28
3. Musical Assertions of Black Identity		77
4. New Musical Convergences: Paris and New York		140
5. Defining a Black Vanguard Aesthetic		180
6. Black Experimentalism as Spectacle		238
Epilogue: Jazz Recast		269
Appendix A: Pictures Titles of Compositions Cited		277
Appendix B: Recordings Cited/ Anthony Braxton on Record		285
Music Index		297
General Index		301
Chapters/Headings	Author(s)	Pages	Info

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