Chapter: Appropriation in Wagner's Tristan Libretto

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Home > Reading Opera > Appropriation in Wagner's Tristan Libretto

Reading Opera |

Arthur Groos; Roger Parker

Princeton University Press

Appropriation in Wagner's Tristan Libretto

Chapter Info

Authors

Arthur Groos

ARI Id

1666866579029_8023774

Access

Not Available Free

Pages

DOI

10.1515/9781400859597.12

Chapter URL

https://www.degruyter.com/document/doi/10.1515/9781400859597.12/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
CONTENTS		v
ACKNOWLEDGMENTS		vii
INTRODUCTION		1
Appropriation in Wagner's Tristan Libretto	Arthur Groos	12
Boito and F. -V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto	James A. Hepokoski	34
An Unseen Player: Destiny in FelUas et Malisande	Susan Youens	60
The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini	Jurgen Maehder	92
Erik's Dream and Tannhauser's Journey	Carolyn Abbate	129
The Languages of Love in Carmen	Nelly Furman	168
How to Avoid Believing (While Reading Iago's "Credo")	Katherine Bergeron	184
The Numinous in Gotterdammerung	Christopher Wintle	200
Musorgsky's Libretti on Historical Themes: From the Two Borises to Khovanshchina	Caryl Emerson	235
Boito and the 1868 Mefistofele Libretto as a Reform Text	William Ashbrook	268
On Reading Nineteenth-Century Opera: Verdi through the Looking-Glass	Roger Parker	288
Strauss and the Pervert	Sander L. Gilman	306
A Deconstructive Postscript: Reading Libretti and Misreading Opera	Paul Robinson	328
INDEX		347
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