Chapter: 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure

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Home > The Sign in Music and Literature > 11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure

The Sign in Music and Literature |

Wendy Steiner

University of Texas Press

11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure

Chapter Info

Authors

Alan M. Perlman; Daniel Greenblatt

ARI Id

1667010406722_8551352

Access

Not Available Free

Pages

169

DOI

10.7560/775633-011

Chapter URL

https://www.degruyter.com/document/doi/10.7560/775633-011/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
Contents		v
1. Introduction	Wendy Steiner	1
2. The Structure of Semiotic Objects: A Three-Dimensional Model	Benjamin Hrushovski	11
3. How Do We Establish New Codes of Verisimilitude?	Seymour Chatman	26
4. Intratextual Rewriting: Textuality as Language Formation	Charles F. Altman	39
5. Inside Greimas's Square: Literary Characters and Cultural Constraints	Nancy Armstrong	52
6. Semantic Oscillation: A Universal of Artistic Expression	Elemér Hankiss	67
7. The Literary Artifact	Miroslav Cervenka	86
8. Typography, Rhymes, and Linguistic Structures in Poetry	Nicolas Ruwet	103
9. Toward a Semiotics of Music	Henry Orlov	131
10. Two Views of Musical Semiotics	Allan R Keiler	138
11. Miles Davis Meets Noam Chomsky: Some Observations on Jazz Improvisation and Language Structure	Alan M. Perlman; Daniel Greenblatt	169
12. The Problem of "Ethnic" Perceptions in the Semiotics of Music	John Blacking	184
13. Technique and Signification in the Twelve-Tone Method	David Lidov	195
14. A Musical Icon: Power and Meaning in Javanese Gamelan Music	Judith Becker; Alton Becker	203
15. Preliminaries to a Semiotics of Ballet	Marianne Shapiro	216
Bibliography		229
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