Chapter: Conclusion. Spanish Movies: Genre, Nation and Spanish Movie

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Home > The Two cines con niño: Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010) > Conclusion. Spanish Movies: Genre, Nation and Spanish Movie

The Two cines con niño: Genre and the Child Protagonist in Over Fifty Years of Spanish Film (1955-2010) |

Erin K. Hogan

Edinburgh University Press

Conclusion. Spanish Movies: Genre, Nation and Spanish Movie

Chapter Info

ARI Id

1667018074225_8578810

Access

Not Available Free

Pages

200

DOI

10.1515/9781474436120-013

Chapter URL

https://www.degruyter.com/document/doi/10.1515/9781474436120-013/html

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i
Contents		v
Figures		vi
Acknowledgements		viii
Figure Permissions		x
Introduction. The Two cines con niño: The Ventriloquism, Dialogism and Biopolitics of the Children of Franco in Genre Film		1
CHAPTER ONE The Black Market and the Stolen Children of Franco in Demonios en el jardín		22
CHAPTER TWO The Appropriative and Carnivalesque Ventriloquism of Altar Boys from Joselito in El pequeño ruiseñor to Ignacio in La mala educación		39
CHAPTER THREE Ventriloquism, Kidnapping and the Carnivalesque in Marisol’s Tómbola		64
CHAPTER FOUR Adopting, Adapting and Appropriating in the cines con niño: Un rayo de luz and El viaje de Carol		88
CHAPTER FIVE Prosopopeia and the Gothic Child from Marcelino pan y vino to El orfanato		107
CHAPTER SIX Dialogism and Ritual Function of the nuevo cine con niño: El espíritu de la colmena, Secretos del corazón and El laberinto del fauno		128
CHAPTER SEVEN Queering Post-war Childhood in Urte ilunak and Pa negre		141
CHAPTER EIGHT The Transatlantic Dialogism in Narrative and Aesthetics of Bildungsfilms: La lengua de las mariposas, Machuca, El espíritu de la colmena, El premio, El laberinto del fauno and Infancia clandestina		164
Conclusion. Spanish Movies: Genre, Nation and Spanish Movie		200
Select Filmography		210
Select Bibliography		216
Index		232
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