Chapter: 9 - Durational Enharmonicism and the Opening of Brahms’s “Double Concerto”

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Home > Brahms and the Shaping of Time > 9 - Durational Enharmonicism and the Opening of Brahms’s “Double Concerto”

Brahms and the Shaping of Time |

Scott Murphy

Boydell & Brewer

9 - Durational Enharmonicism and the Opening of Brahms’s “Double Concerto”

Chapter Info

Authors

Scott Murphy

ARI Id

1667120210562_9727257

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Not Available Free

Pages

260-294

Chapter URL

https://www.cambridge.org/core/books/brahms-and-the-shaping-of-time/durational-enharmonicism-and-the-opening-of-brahmss-double-concerto/E2FACF8022988F7B96E9BF8863F11997

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i-iv
Contents		v-vi
Acknowledgments		vii-viii
Introduction: Brahms, Analysis, and Time	Scott Murphy	1-10
Part One - Setting Texts		11-12
1 - Expressive Declamation in the Songs of Johannes Brahms	Harald Krebs	13-48
2 - Temporal Disruptions and Shifting Levels of Discourse in Brahms’s Lieder	Heather Platt	49-80
Part Two - Measuring Phrases		81-82
3 - Phrase Rhythm and the Expression of Longing in Brahms’s “Gestillte Sehnsucht, ” Op. 91, No. 1	Jan Miyake	83-109
4 - On the Oddness of Brahms’s Five-Measure Phrases	Samuel Ng	110-140
Part Three - Recasting Hemiolas		141-142
5 - Hemiola as Agent of Metric Resolution in the Music of Brahms	Ryan McClelland	143-177
6 - Brahms at Twenty: Hemiolic Varietals and Metric Malleability in an Early Sonata	Richard Cohn	178-204
Part Four - Shifting Perspectives		205-206
7 - Containment and Wave: Temporal Experiment in Brahms’s Opus 2	Frank Samarotto	207-238
8 - Rhythmic Displacement in the Fugue of Brahms’s Handel Variations: The Refashioning of a Traditional Device	Eytan Agmon	239-259
9 - Durational Enharmonicism and the Opening of Brahms’s “Double Concerto”	Scott Murphy	260-294
List of Contributors		295-296
Index		297-300
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