Chapter: The original cast recording of West Side Story

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Home > The Cambridge Companion to Recorded Music > The original cast recording of West Side Story

The Cambridge Companion to Recorded Music |

Nicholas Cook; Eric Clarke; Daniel Leech-Wilkinson; John Rink

Cambridge University Press

The Cambridge Companion to Recorded Music

The original cast recording of West Side Story

Chapter Info

Authors

Nigel Simeone

ARI Id

1667256688687_10361811

Access

Not Available Free

Pages

181-185

Chapter URL

https://www.cambridge.org/core/books/cambridge-companion-to-recorded-music/original-cast-recording-of-west-side-story/0FF96E77D9B144D60BAC7422F946A92F

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i-xviii
Introduction		1-9
Learning to live with recording	Susan Tomes	10-12
A short take in praise of long takes	Peter Hill	13-15
1 - Performing for (and against) the microphone	Donald Greig	16-29
Producing a credible vocal	Mike Howlett	30-31
‘It could have happened’: The evolution of music construction	Steve Savage	32-35
2 - Recording practices and the role of the producer	Andrew Blake	36-53
Still small voices	Jonathan Freeman-Attwood	54-58
Broadening horizons: ‘Performance’ in the studio	Michael Haas	59-62
3 - Getting sounds: The art of sound engineering	Albin Zak	63-76
Limitations and creativity in recording and performance	Martyn Ware	77-79
Records and recordings in post-punk England, 1978–80	Richard Witts	80-83
4 - The politics of the recording studio: A case study from South Africa	Louise Meintjes	84-97
From Lanza to Lassus	Tully Potter	98-101
5 - From wind-up to iPod: Techno-cultures of listening	Arild Bergh; Tia DeNora	102-115
A matter of circumstance: On experiencing recordings	Martin Elste	116-119
6 - Selling sounds: Recordings and the record business	David Patmore	120-139
Revisiting concert life in the mid-century: The survival of acetate discs	Lewis Foreman	140-148
7 - The development of recording technologies	George Brock-Nannestad	149-176
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