Chapter: Introduction

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Home > Virginia Woolf and the World of Books > Introduction

Virginia Woolf and the World of Books |

Nicola Wilson; Claire Battershill

Liverpool University Press

Introduction

Chapter Info

Authors

Claire Battershill; Nicola Wilson

ARI Id

1667305629361_10608652

Access

Not Available Free

Pages

vii-ix

Chapter URL

https://www.cambridge.org/core/books/virginia-woolf-and-the-world-of-books/introduction/D36FCE8C5D8B9D4EA0A40220BAC6F49A

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Chapters/Headings	Author(s)	Pages	Info
Frontmatter		i-iv
Contents		v-vi
Introduction	Claire Battershill; Nicola Wilson	vii-ix
List of Abbreviations		x-x
Keynote		1-1
Getting a Hold on Haddock: Virginia Woolf's Inks	Ted Bishop	2-18
In the Archives		19-19
A Voice in the Archives: In Search of Woolf's Lost Tape	Alice Staveley	20-25
On Manuscripts: Virginia Woolf and Archives	Amanda Golden	26-30
Echo's Voices: Virginia Woolf, Irena Krzywicka, and The Well of Loneliness	Paulina Pająk	31-38
Craftsmanship		39-39
“Wood is a pleasant thing to think about”: William Blake and the Hand-Printed Books of the Hogarth Press	Michael Black	40-49
Virginia Woolf, the Hogarth Press, and “Short Things”	Aimee Gasston	50-55
“Scarcely a Brick to Be Seen”: Breaking Boundaries in “Kew Gardens” and “The Mark on the Wall”	Karina Jakubowicz	56-61
Virginia Woolf's Arts and Craftsmanship	Alexandra Peat	62-68
The Hogarth Press		69-69
“obscure, indecent and brilliant”: Female sexuality, the Hogarth Press, and Hope Mirrlees	Megan Beech	70-75
After the Deluge, The Waves	Sangam MacDuff	76-82
Alternative Histories: Hogarth Press's World-Makers and World-Shakers Series	Eleanor McNees	83-92
The Hogarth Press, a Singular Art Gallery	Virginie Podvin	93-100
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