Chapter: Chapter 14. Cultures and Practices of Preservation and Restoration

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Home > Colour Films in Britain: The Eastmancolor Revolution > Chapter 14. Cultures and Practices of Preservation and Restoration

Colour Films in Britain: The Eastmancolor Revolution |

Sarah Street; Keith M. Johnston; Paul Frith and Carolyn Rickards

British Film Institute

Colour Films in Britain: The Eastmancolor Revolution

Chapter 14. Cultures and Practices of Preservation and Restoration

Chapter Info

Authors

Paul Frith; Keith Johnston

ARI Id

1667456965721_8945647

Access

Not Available Free

Pages

283–307

Chapter URL

https://www.bloomsburycollections.com/book/colour-films-in-britain-the-eastmancolor-revolution/ch14-cultures-and-practices-of-preservation-and-restoration

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Chapters/Headings	Author(s)	Pages	Info
Front matter
Illustrations		vii–xii
Acknowledgements		xiii–xiv
Introduction	Keith Johnston; Sarah Street	1–10
Chapter 1. Eastmancolor and Branding	Keith Johnston	11–34
Chapter 2. Institutions and Eastmancolor	Keith Johnston; Sarah Street	35–54
Chapter 3. Comedy and Satire	Keith Johnston	55–76
Chapter 4. Social Realism and Contemporary Drama	Sarah Street	77–98
Chapter 5. The Colour of Crime	Carolyn Rickards; Sarah Street	99–118
Chapter 6. The Colour Fantastic: Fantasy, Horror and Science Fiction	Keith Johnston; Carolyn Rickards	119–140
Chapter 7. Historical and Costume Films	Carolyn Rickards; Sarah Street	141–160
Chapter 8. Musicals, Pop Music and the Concert Film	Keith Johnston; Sarah Street	161–182
Chapter 9. Colour and Collaboration	Paul Frith; Keith Johnston; Carolyn Rickards; Sarah Street	183–202
Chapter 10. Art, Experimental/Avant-Garde Practices	Sarah Street	203–224
Chapter 11. Amateur Colour Filmmaking	Keith Johnston; Paul Frith	225–244
Chapter 12. Short, Documentary and Advertising Films	Paul Frith; Sarah Street	245–266
Chapter 13. Sex and Eastmancolor	Paul Frith; Keith Johnston	267–282
Chapter 14. Cultures and Practices of Preservation and Restoration	Paul Frith; Keith Johnston	283–307
Conclusion	Keith Johnston; Sarah Street	307–313
Back matter
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