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Home > Documenting performance. The context and processes of digital curation and archiving (2017) > Chapter 8.  Documenting Audience Experience: Social Media as Lively Stratification
Documenting performance. The context and processes of digital curation and archiving (2017) |
Toni Sant
Methuen Drama
Documenting performance. The context and processes of digital curation and archiving (2017)
Chapter 8.  Documenting Audience Experience: Social Media as Lively Stratification
Authors

Joanna Bucknall; Kirsty Sedgman

ARI Id

1667505179979_9151595

Access

Not Available Free

Pages

113–130

Chapter URL

https://www.bloomsburycollections.com/book/documenting-performance-the-context-and-processes-of-digital-curation-and-archiving/ch8-documenting-audience-experience-social-media-as-lively-stratification

Table of Contents of Book
Showing 1 to 20 of 35 entries
Chapters/HeadingsAuthor(s)PagesInfo
Front matter
Dedication
v–vi
List of Contributors
xii–xx
Acknowledgements
xxi–xxiv
Chapter 1.  Documenting Performance: An Introduction
Toni Sant
1–12
One Contexts for Documenting Performance
One Contexts for Documenting Performance
13–18
Chapter 2.  Performance Arts and Their Memories
Daniela Salazar
19–28
Chapter 3.  Description Models for Documenting Performance
Alberto Martínez; Gema de la Fuente
29–46
Chapter 4.  Intellectual Property Matters for Documenting Performance: Challenges and Current Trends
Jeanine Rizzo
47–60
Chapter 5.  Expanding Documentation, and Making the Most of ‘the Cracks in the Wall’
Annet Dekker; Gabriella Giannachi; Vivian van Saaze
61–78
Two Ways of Documenting Performance
Two Ways of Documenting Performance
79–82
Chapter 6.  Remembering Performance Through the Practice of Oral History
Panayiota Demetriou
83–92
Chapter 7.  Translating Performance: Desire, Intention and Interpretation in Photographic Documents
Helen Newall; Amy Skinner; Allan Taylor
93–112
Chapter 8.  Documenting Audience Experience: Social Media as Lively Stratification
Joanna Bucknall; Kirsty Sedgman
113–130
Chapter 9.  Web Archiving and Participation: The Future History of Performance?
Vanessa Bartlett
131–148
Chapter 10.  Documenting Digital Performance Artworks
Adam Nash; Laurene Vaughan
149–160
Three From Documents to Documenting
Three From Documents to Documenting
161–164
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 35 entries
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