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Table of Contents of Book
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Introduction. Origine de l’acteur et évolution de son statut : bilan et nouvelles questions | | | |
I. Naissance d’un monde professionnel | | | |
II. Identifier l’acteur : méthodologie, terminologie, typologie | | | |
III. L’acteur dans la cité | | | |
IV. L’acteur, le pouvoir impérial, l’aristocratie | | | |
| | | |
L’acteur comique face aux institutions | | | |
I. Acteur tragique et acteur comique | | | |
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III. Le bouffon et la polis | | | |
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À propos du statut symbolique des acteurs | | | |
I. Les acteurs et l’iconographie | | | |
II. Anecdotes préservées par la tradition littéraire | | | |
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Some Social and Economic Conditions behind the Rise of the Acting Profession in the Fifth and Fourth Centuries BC | | | |
I. The Fourth Century (from about 370) | | | |
II. The Rural Dionysia of Attica | | | |
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