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Table of Contents of Book
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Introduction. Voyages et exils au cinéma. Au cœur des transferts culturels | | | |
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Passer entre les mondes. L’aventure (post)coloniale dans le cinéma de David Lean | | | |
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L’exil circulaire. Profession : reporter de Michelangelo Antonioni | | | |
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Nobuhiro Suwa, entre le Japon et la France : l’expérience de la distance | | | |
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Les Indiens du Brésil, une irréductible altérité ? | | | |
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Sociologie d’un Nouveau Monde : Fievel Mousekewitz en exil, une histoire de l’Amérique | | | |
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De Cinecittà à Hollywood, l’apprentissage d’un autre réel. Le cheminement du néo-réalisme dans le classicisme hollywoodien | | | |
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Le versant invisible de la « montagne d’or » : l’émigration chinoise aux États-Unis vue par les cinéastes hongkongais | | | |
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Identités et chocs des représentations dans les cinémas africains de l’exil | | | |
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