Chapter: Adaptation and the Use of Documentary Material in

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Home > ReFocus: The Films of Pablo Larraí n > Adaptation and the Use of Documentary Material in

ReFocus: The Films of Pablo Larraí n |

Laura Hatry

Edinburgh University Press

Adaptation and the Use of Documentary Material in

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Authors

Laura Hatry

ARI Id

1667615525084_15785016

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https://academic.oup.com/edinburgh-scholarship-online/book/42216/chapter/356332268

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Chapters/Headings	Author(s)	Pages	Info
Front Matter
Figures
Notes on Contributors
Acknowledgments
An Introduction. Pablo Larraín: Doomed to Repeat It	Laura Hatry
A Cracked Gaze: Pablo Larraín’s Cultural Context1	Arturo Márquez-Gómez
The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in	Amanda Eaton McMenamin
“Within the Limits of the Possible”: Realist Aesthetics in Larraín’s Dictatorship Trilogy	Berenike Jung
When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s	Eduardo Ledesma
Gothic Memory and Ghostly Aesthetics:	Rosana Díaz-Zambrana
Aestheticization of Politics and the War Machine in	Ignasi Gozalo-Salellas; Xavier Dapena
Adaptation and the Use of Documentary Material in	Laura Hatry
The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s	Susana Domingo Amestoy
Reimagining the Left in	Rachel VanWieren; Victoria L. Garrett
Surfaces in	James Harvey
“When on Stage, I Am Not There, I Am Not That One”
End Matter
Index
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