Chapter: Mark Tucker, Thelonious Monk, and “Misterioso”

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Home > Rethinking American Music > Mark Tucker, Thelonious Monk, and “Misterioso”

Rethinking American Music |

Tara Browner; Thomas L. Riis

University of Illinois Press

Mark Tucker, Thelonious Monk, and “Misterioso”

Chapter Info

Authors

Jeffrey Taylor; Mark Tucker

ARI Id

1667628713325_15841440

Access

Not Available Free

Chapter URL

https://academic.oup.com/illinois-scholarship-online/book/37397/chapter/331431509

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Chapters/Headings	Author(s)	Pages	Info
Front Matter
Copyright Page
Dedication
Acknowledgments
Introduction
Performance
Part front matter
Balance of Power: Music as Art and Social Class in the Late Nineteenth Century	Karen Ahlquist
From Flatbush to	Jeffrey Magee
Secular Music in Shape Notes	David Warren Steel
Patronage
Part front matter
“We’re Marching to Zion”	Esther R. Crookshank
Living in the (Publishing) House of Music: A Short History of Composer-Driven Independent Publishing and Distribution in the United States	Amy C. Beal
American Music Goes to School	Mark Clague
Identity
Part front matter
Bodies of Music / Songs of Magic	Guthrie P. Ramsey
Defying Boundaries and Escaping Stereotypes: African American Entertainers in the Late Nineteenth Century	Thomas L. Riis
The “Most Distinctive and Biggest Benefit that Broadway Has Ever Known”: Producing, Performing, and Applauding across the Color Line in the Twilight of the Jazz Age	Todd Decker
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