Chapter: Introduction: Angela Carter’s curious rooms

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Home > The Arts of Angela Carter: A Cabinet of Curiosities > Introduction: Angela Carter’s curious rooms

The Arts of Angela Carter: A Cabinet of Curiosities |

Marie Mulvey-Roberts

Manchester University Press

The Arts of Angela Carter: A Cabinet of Curiosities

Introduction: Angela Carter’s curious rooms

Chapter Info

Authors

Marie Mulvey-Roberts

ARI Id

1667638210950_15889440

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Not Available Free

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https://academic.oup.com/manchester-scholarship-online/book/34109/chapter/289387939

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Chapters/Headings	Author(s)	Pages	Info
Front Matter
Copyright Page
Dedication
Figures
Notes on contributors
Acknowledgements
Introduction: Angela Carter’s curious rooms	Marie Mulvey-Roberts
Intermedial synergy in Angela Carter’s short fiction	Michelle Ryan-Sautour
Psychogeography in the curiosity cabinet: Angela Carter’s poetics of space	Anna Kérchy
Bloody chamber melodies: painting and music in	Julie Sauvage
Angela Carter’s poetry	Sarah Gamble
Angela Carter’s	Martine Hennard Dutheil de la Rochère; Martine Hennard Dutheil de la Rochère
Myths, meat and American Indians: Angela Carter and Claude Lévi-Strauss	Heidi Yeandle
Angela Carter’s ‘rigorous system of disbelief ’: religion, misogyny, myth and the cult	Marie Mulvey-Roberts
‘Clothes are our weapons’: dandyism, fashion and subcultural style in Angela Carter’s fiction of the 1960s	Catherine Spooner
Desire, disgust and dead women: Angela Carter’s re-writing women’s fatal scripts from Poe and Lovecraft	Gina Wisker
The ‘art of faking’: performance and puppet theatre in Angela Carter’s Japan	Helen Snaith
‘I resented it, it fascinated me’: Carter’s ambivalent cinematic fiction and the problem of proximity	Caleb Sivyer
The rough and the holy: Angela Carter’s marionette theatre	Maggie Tonkin
End Matter
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