Chapter: 12. The Romantic Indian Commodified: Text and Image in George Catlin’s Letters and Notes (1841)

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Home > Transatlantic Romanticism: British and American Art and Literature, 1790-1860 > 12. The Romantic Indian Commodified: Text and Image in George Catlin’s Letters and Notes (1841)

Transatlantic Romanticism: British and American Art and Literature, 1790-1860 |

edited by Andrew Hemingway and Alan Wallach

University of Massachusetts Press

Transatlantic Romanticism: British and American Art and Literature, 1790-1860

12. The Romantic Indian Commodified: Text and Image in George Catlin’s Letters and Notes (1841)

Chapter Info

Authors

Robert Woods Sayre

ARI Id

1667908812257_11287773

Access

Not Available Free

Pages

259-284

Chapter URL

https://muse.jhu.edu/pub/190/edited_volume/chapter/1628946

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Chapters/Headings	Author(s)	Pages	Info
Cover
Front Flap, Title Page, Copyright
Contents		v-vi
Acknowledgments		vii-x
Introduction: Capitalism, Nationalism, and the Romantic Weltanschauung	Andrew Hemingway	1-26
I. The City		27-28
1. “The pit of modern art”: Practice and Ambition in the London Art World	William Vaughan	29-48
2. The Urban Ecology of Art in Antebellum New York	Dell Upton	49-66
3. Urban Convalescence in Lamb, Poe, and Baudelaire	Matthew Beaumont	67-80
II. History		81-82
4. Sublime and Fall: Benjamin West and the Politics of the Sublime in Early Nineteenth-Century Marylebone	Nicholas Grindle	83-101
5. Benjamin West’s Royal Chapel at Windsor: Who’s in Charge, the Patron or the Painter?	William Pressly	102-121
6. The Politics of Style: Allston’s and Martin’s Belshazzars Compared	Andrew Hemingway	122-143
7. James Fenimore Cooper and American Artists in Europe: Art, Religion, Politics	Wayne Franklin	144-168
III. Landscape		169-170
8. John Martin, Thomas Cole, and Deep Time	David Bindman	171-182
9. “Gorgeous, but altogether false”: Turner, Cole, and Transatlantic Ideas of Decline	Leo Costello	183-205
10. Thomas Cole and Transatlantic Romanticism	Alan Wallach	206-226
IV. Race		227-228
11. Picturing the Murder of Jane McCrea: A Critical Moment in Transatlantic Romanticism	William H. Truettner	229-258
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