Chapter: Kierkegaard’s Concept of Inherited Sin: A Cinematic Illustration

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Home > Kierkegaard, Literature, and the Arts > Kierkegaard’s Concept of Inherited Sin: A Cinematic Illustration

Kierkegaard, Literature, and the Arts |

Edited by Eric Ziolkowski

Northwestern University Press

Kierkegaard’s Concept of Inherited Sin: A Cinematic Illustration

Chapter Info

Authors

Ronald M. Green

ARI Id

1667956080800_11530328

Access

Open/Free Access

Pages

223-236

PDF URL

https://muse.jhu.edu/pub/147/oa_edited_volume/chapter/2061931/pdf

Chapter URL

https://muse.jhu.edu/pub/147/oa_edited_volume/chapter/2061931

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Chapters/Headings	Author(s)	Pages	Info
Cover
Half Title, Frontispiece, Title Page, Copyright
Contents		v-vi
List of Illustrations		vii-viii
Acknowledgments		ix-x
Abbreviations		xi-xiv
Introduction	Eric Ziolkowski	3-36
Part I. Literature
The Bonfire of the Genres: Kierkegaard’s Literary Kaleidoscope	George Pattison	39-54
Kierkegaard’s Disruptions of Literature and Philosophy: Freedom, Anxiety, and Existential Contributions	Edward F. Mooney	55-70
Kierkegaard’s Existential Play: Storytelling and the Development of the Religious Imagination in the Authorship	Marcia C. Robinson	71-84
Kierkegaard’s Christian Bildungsroman	Joakim Garff	85-96
Part II. Performing Arts
Beyond the Mask: Kierkegaard’s Postscript as Antitheatrical, Anti-Hegelian Drama	Howard Pickett	99-114
A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition	Martijn Boven	115-130
Kierkegaard’s Notions of Drama and Opera: Molière’s Don Juan, Mozart’s Don Giovanni, and the Question of Music and Sensuousness	Nils Holger Petersen	131-148
“Let No One Invite Me, for I Do Not Dance”: Kierkegaard’s Attitudes toward Dance	Anne Margrete Fiskvik	149-174
Part III. Visual Arts and Film
Painting with Words: Kierkegaard and the Aesthetics of the Icon	Christopher B. Barnett	177-192
Kierkegaard’s Approach to Pictorial Art, and to Specimens of Contemporary Visual Culture	Ragni Linnet	193-222
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