Chapter: Imitation and Originality, Theory and Practice

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Home > A Companion to Chinese Art > Imitation and Originality, Theory and Practice

A Companion to Chinese Art |

Martin J. Powers; Katherine R. Tsiang; Dana Arnold

John Wiley & Sons

Imitation and Originality, Theory and Practice

Chapter Info

Authors

Ginger Cheng-chi Hsü

ARI Id

1668162635548_20584565

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Not Available Free

Pages

293-311

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		i-xviii
Introduction		1-25
Court Painting	Patricia Ebrey	27-46
The Culture of Art Collecting in Imperial China	Scarlett Jang	47-72
Art, Print, and Cultural Discourse in Early Modern China	J. P. Park	73-90
Art and Early Chinese Archaeological Materials	Xiaoneng Yang	91-111
Figure Painting: Fragments of the Precious Mirror	Shane McCausland	113-135
The Language of Portraiture in China	Dora C. Y. Ching	136-157
Visualizing the Divine in Medieval China	Katherine R. Tsiang	158-176
Landscape	Peter C. Sturman	177-194
Concepts of Architectural Space in Historical Chinese Thought	Cary Y. Liu	195-211
Time in Early Chinese Art	Eugene Y. Wang	212-231
The Art of “Ritual Artifacts” (Liqi): Discourse and Practice	Wu Hung	233-253
Classification, Canon, and Genre	Richard Vinograd	254-276
Conceptual and Qualitative Terms in Historical Perspective	Ronald Egan	277-292
Imitation and Originality, Theory and Practice	Ginger Cheng-chi Hsü	293-311
Calligraphy	Qianshen Bai	312-328
Emptiness-Substance: Xushi	Jason C. Kuo	329-348
Artistic Status and Social Agency	Martin J. Powers	349-370
Ornament in China	Jessica Rawson	371-391
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