Chapter: An audiovisual foreshadowing in Psycho

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Home > Terror tracks: music, sound and horror cinema > An audiovisual foreshadowing in Psycho

Terror tracks: music, sound and horror cinema |

Philip Hayward

Equinox

Terror tracks: music, sound and horror cinema

An audiovisual foreshadowing in Psycho

Chapter Info

Authors

Scott Murphy

ARI Id

1668653500684_21947489

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Chapters/Headings	Author(s)	Pages	Info
Psycho-analysis: form and function in Bernard Herrmann's music for Hitchcock's Masterpiece	James Wierzbicki
An audiovisual foreshadowing in Psycho	Scott Murphy
Sound and music in Hammer's vampire films	Michael Hannan
Creative soundtrack expression: Toro Takemitsu's score for Kwaidan	Kyoko Koizumi
Prog rock, the horror film and sonic excess: Dario Argento, Morricone and Goblin	Tony Mitchell
Inflamed: synthetic folk music and paganism in the island world of The wicker man	Jon Fitzgerald; Philip Hayward
Rhythms of evil: exorcising sound from The exorcist	Mark Evans
Texas chainsaws: audio effect and iconicity	Rebecca Coyle; Philip Hayward
Incorporating monsters: music as context, character and construction in Kubrick's The shining	Jeremy Barham
Music of the night: scoring the vampire in contemporary film	Janet K. Halfyard
Scary movies, scary music: uses and unities of metal in the contemporary horror film	Lee Barron; Ian Inglis
Like razors through flesh: Hellraiser/s sound design and music	Karen Collins
Spooked by sound: the Blair witch project	Rebecca Coyle
Popular songs and ordinary violence: exposing basic human brutality in the films of Rob Zombie	Laura Wiebe Taylor
Terror in the outback: Wolf Creek and Australian horror cinema	Philip Hayward; Harry Minassian
The ghostly noise of J-horror: roots and ramifications	James Wierzbicki.
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