Chapter: Deleuze, music and modernist mimesis

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Home > Essays on music and the spoken word and on surveying the field > Deleuze, music and modernist mimesis

Essays on music and the spoken word and on surveying the field |

Suzanne M. Lodato

Rodopi

Essays on music and the spoken word and on surveying the field

Deleuze, music and modernist mimesis

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1668922836246_22608531

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Chapters/Headings	Author(s)	Pages	Info
Introduction	Suzanne M. Lodato
Deleuze, music and modernist mimesis	Eric Prieto
Listening to Parsifal: premodern romance, modern music drama, postmodern film	David L. Mosley
'Opera about opera': self-referentiality in opera with particular reference to Dominick Argento's The Aspern papers	Michael Halliwell
Schubert's strategies in setting free verse	Jürgen Thym
False assumptions: Richard Strauss's lieder and text/music analysis	Suzanne M. Lodato
Speaking melody, melodic speech	Lawrence Kramer
Language and/or music as man's 'comfort'?: Beckett's metamedial allegory Words and music	Werner Wolf
Beckett, Feldman, Joe and Bob: speaking of music in Words and music	Stephen Benson
Musical and verbal counterpoint in Thirty two short films about Glenn Gould	Deborah Weagel
Notes on contributors.
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