Chapter: Orchestral Programs in Boston, 1841–55, in European Perspective

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Home > American Orchestras in the Nineteenth Century > Orchestral Programs in Boston, 1841–55, in European Perspective

American Orchestras in the Nineteenth Century |

John Spitzer

University of Chicago Press

American Orchestras in the Nineteenth Century

Orchestral Programs in Boston, 1841–55, in European Perspective

Chapter Info

Authors

William Weber

ARI Id

1669441898319_15704025

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Open/Free Access

Chapter URL

https://academic.oup.com/chicago-scholarship-online/book/17981/chapter/175832786

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Chapters/Headings	Author(s)	Pages	Info
Front Matter
Copyright Page
Dedication
Illustrations
Introduction: Toward a History of American Orchestras in the Nineteenth Century	Deane L. Root
Ubiquity & Diversity
Part front matter
Building the American Symphony Orchestra: The Nineteenth-Century Roots of a Twenty-First-Century Musical Institution	Mark Clague
Modeling Music: Early Organizational Structures of American Women's Orchestras	Anna-Lise P. Santella
American Orchestras and Their Unions in the Nineteenth Century
The Orchestra & the American City
Part front matter
Invisible Instruments: Theater Orchestras in New York, 1850–1900	John Graziano
Beethoven and Beer: Orchestral Music in German Beer Gardens in Nineteenth-Century New York City	John Koegel; Jonas Westover
Performances to “permanence”: Orchestra Building in Late Nineteenth-Century Cincinnati	Karen Ahlquist
Critic and Conductor in 1860s Chicago: George P. Upton, Hans Balatka, and Cultural Capitalism	James Deaville
Amateur and Professional, Permanent and Transient: Orchestras in the District of Columbia, 1877–1905	Patrick Warfield
Conductors, Promoters, Patrons
Part front matter
Bernard Ullman and the Business of Orchestras in Mid-Nineteenth-Century New York	Bethany S. Goldberg
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