Chapter: The high stakes of mixed race: post-race, post-apartheid performance in the U. S. and South Africa

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Home > Theatres in the round: multi-ethnic, indigenous, and intertextual dialogues in drama > The high stakes of mixed race: post-race, post-apartheid performance in the U. S. and South Africa

Theatres in the round: multi-ethnic, indigenous, and intertextual dialogues in drama |

Dorothy Matilda Figueira

Peter Lang

Theatres in the round: multi-ethnic, indigenous, and intertextual dialogues in drama

The high stakes of mixed race: post-race, post-apartheid performance in the U. S. and South Africa

Chapter Info

Authors

Harry J. Elam; Jr.; Michele Elam

ARI Id

1669996090184_25164559

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Not Available Free

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Chapters/Headings	Author(s)	Pages	Info
Theatres in the round: new perspectives on comparative drama	Dorothy Figueira; Marc Maufort
Thoughts on the origin of Nordic drama	Steven Sondrup
"Uncomfortable truths about contemporary Britain": black and South Asian theatre in the U. K.	Geoffrey V. Davis
Land and cultural memory: Djanet Sears's The adventures of a black girl in search of God and Diane Glancy's Jump kiss: an Indian legend	Caroline De Wagter
The high stakes of mixed race: post-race, post-apartheid performance in the U. S. and South Africa	Harry J. Elam; Jr.; Michele Elam
Celebrating indigeneity: contemporary aboriginal playwriting in Canada and Australasia	Marc Maufort
Quoting the "other": intertextuality and indigeneity in Pacific theatre	David O'Donnell
Beckett's Chinese progeny: absurdity, waiting, and the Godot motif in contemporary China	Rossella Ferrari
A punk-rock Elektra: Ruth Margraff's The Elektra fugues	Kathleen L. Komar
Peter Olov Enquist's and Racine's Phaedra	Ross Shideler
Theories of myth and myths of theory in Thomas Mann and Girish Karnad	Dorothy Figueira
Soyinka [Euripides, Nietzsche] Thomas Mann: intertextual dialogues across the twentieth century	John Burt Foster.
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