Chapter: From Technique to

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Home > Nadia Boulanger and Her World > From Technique to

Nadia Boulanger and Her World |

Jeanice Brooks

University of Chicago Press

From Technique to

Chapter Info

Authors

Marie Duchêne-Thégarid

ARI Id

1673515096288_15728614

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Not Available Free

Chapter URL

https://academic.oup.com/chicago-scholarship-online/book/40359/chapter/346950866

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Chapters/Headings	Author(s)	Pages	Info
Front Matter
Preface: The Only Woman in the Picture
Acknowledgments
Permissions and Credits
The Strange Fate of Boulanger and Pugno’s	Alexandra Laederich
Serious Ambitions: Nadia Boulanger and the Composition of	Jeanice Brooks; Kimberly Francis
From the Trenches: Extracts from the Final Issue of the Paris Conservatory
From Technique to	Marie Duchêne-Thégarid
Nadia Boulanger’s 1935	Marie Duchêne-Thégarid
36 rue Ballu: A Multifaceted Place	Cédric Segond-Genovesi
“What an Arrival!” Nadia Boulanger’s New World (1925)	Nadia Boulanger; Gayle Murchison
Modern French Music: Translating Fauré in America, 1925–1945	Jeanice Brooks
For Nadia Boulanger: Five Poems by May Sarton	Jeanice Brooks
Friend and Force: Nadia Boulanger’s Presence in Polish Musical Culture	Andrea F. Bohlman; J. Mackenzie Pierce
“What Awaits Them Now?” A Letter to Paris	Zygmunt Mycielski
A Letter from Professor Nadia Boulanger:
The Beethoven Lectures for the Longy School	Cédric Segond-Genovesi
Boulanger and Atonality: A Reconsideration	Kimberly Francis
Why Music? Aesthetics, Religion, and the Ruptures of Modernity in the Life and Work of Nadia Boulanger	Leon Botstein
End Matter
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