Chapter: Schenker's "free forms of interruption" and the strict: toward a general theory of interruption

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Home > New horizons in Schenkerian research / > Schenker's "free forms of interruption" and the strict: toward a general theory of interruption

New horizons in Schenkerian research / |

Cadwallader, Allen Clayton,; Bottge, Karen M.,; Schwab-Felisch, Oliver,

Schenker's "free forms of interruption" and the strict: toward a general theory of interruption

Chapter Info

Authors

Frank Samarotto

ARI Id

1673632104131_47687590

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Chapters/Headings	Author(s)	Pages	Info
Volume 1. Texts. Schenker and the fundamental bass	William Rothstein
Schenker and Sechter: a discontinuous history	Martin Eybl
Schenker's "free forms of interruption" and the strict: toward a general theory of interruption	Frank Samarotto
The "heilige Trapezoid" and the galant recapitulation	L. Poundie Burstein
Chopin's Mazurka, op. 59, no. 2: a tribute to Mendelssohn?	Carl Schachter
J. S. Bach's Fugue in B minor, BWV 869: Rameau oder Schenker?	Eric Wen
Schenker, sonata form, and the Schubert symphonies	David Beach
Displacement, superimposition, and dissonance in Ravel's late style	Sigrun Heinzelmann
Motivic elaboration and chromaticism in the Andante cantabile of Mozart's Piano sonata in B♭major, K. 333	Roger Kamien
The reception of Heinrich Schenker's music theory in German speaking countries after 1945	Oliver Schwab-Felisch
Heinrich Schenker and August Halm	Patrick Boenke
Musical justice and tonal inequality in the theory of Heinrich Schenker	Wayne Alpern
Musicians in the age of scientific racism: the case of Heinrich Schenker	Barry Wiener/
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