Chapter: Aimé Césaire and the Syntax of Influence

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Home > Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement > Aimé Césaire and the Syntax of Influence

Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement |

Carrie Noland; Barrett Watten

Palgrave Macmillan US

Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement

Aimé Césaire and the Syntax of Influence

Chapter Info

Authors

Brent Hayes Edwards

ARI Id

1674219562293_373567

Access

Not Available Free

Pages

31-50

DOI

10.1007/978-1-137-08751-5_2

Chapter URL

https://rd.springer.com/chapter/10.1007/978-1-137-08751-5_2

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Chapters/Headings	Author(s)	Pages	Info
Front Matter		i-xiii
Introduction	Carrie Noland; Barrett Watten	1-30
Aimé Césaire and the Syntax of Influence	Brent Hayes Edwards	31-50
Alan Sondheim’s Internet Diaspora	Maria Damon	51-76
Remediation and Diaspora: Kamau Brathwaite’s Video-Style	Carrie Noland	77-97
Re-Opening a Poetics of Re-Openings (A. K. A. “Naked Strategic Partners”)	Rodrigo Toscano	99-113
On the Outskirts of Form: Cosmopoetics in the Shadow of NAFTA	Michael Davidson	115-136
Franco Luambo Makiadi’s Universalism and Avant-Garde Particularity	Barrett Watten	137-155
Ah Noh Musik Dat: Speech in the Discourse of Nationalism	Mark McMorris	157-172
On the Nomadic Circulation of Contemporary Poetics between Europe, North America, and the Maghreb	Pierre Joris	173-188
Diaspora and the Avant-Garde in Contemporary Black British Poetry	Lauri Ramey	189-206
Something Nation: Radical Spaces of Performance in Linton Kwesi Johnson and Cris Cheek	Carla Harryman	207-224
From Spanglish to Glossolalia: Edwin Torres’s Nuyo-Futurist Utopia	Urayoán Noel	225-242
From Bass Cathedral	Nathaniel Mackey	243-251
From Vaduz [Performance Poem]	Bernard Heidsieck	253-255
Back Matter		257-274
Chapters/Headings	Author(s)	Pages	Info

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