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Home > From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers > Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers |
Mitsuko Aramaki; Mathieu Barthet; Richard Kronland-Martinet; Sølvi Ystad
Springer Berlin Heidelberg
From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers
Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
Authors

Ken O’Hanlon; Hidehisa Nagano; Mark D. Plumbley

ARI Id

1674219820343_3432885

Access

Not Available Free

Pages

353-365

DOI

10.1007/978-3-642-41248-6_19

Chapter URL

https://rd.springer.com/chapter/10.1007/978-3-642-41248-6_19

Table of Contents of Book
Showing 1 to 20 of 31 entries
Chapters/HeadingsAuthor(s)PagesInfo
Front Matter
The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music
Emery Schubert; Sam Ferguson; Natasha Farrar; David Taylor; Gary E. McPherson
1-18
Emotion in Motion: A Study of Music and Affective Response
Javier Jaimovich; Niall Coghlan; R. Benjamin Knapp
19-43
Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates
Konstantinos Trochidis; David Sears; Diêu-Ly Trân; Stephen McAdams
44-57
Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes
Martin J. Morrell; Joshua D. Reiss
58-81
Perceptual Characteristic and Compression Research in 3D Audio Technology
Ruimin Hu; Shi Dong; Heng Wang; Maosheng Zhang; Song Wang; Dengshi Li
82-98
Intuitive Control of Rolling Sound Synthesis
Simon Conan; Mitsuko Aramaki; Richard Kronland-Martinet; Sølvi Ystad
99-109
EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data
Gilberto Bernardes; Carlos Guedes; Bruce Pennycook
110-129
Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds
Etienne Thoret; Mitsuko Aramaki; Richard Kronland-Martinet; Jean-Luc Velay; Sølvi Ystad
130-153
Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models
Clara Suied; Angélique Drémeau; Daniel Pressnitzer; Laurent Daudet
154-170
The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features
Marcelo Caetano; Athanasios Mouchtaris; Frans Wiering
171-196
The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition
Thomas C. Walters; David A. Ross; Richard F. Lyon
197-213
Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features
Jason Jiří Musil; Budr Elnusairi; Daniel Müllensiefen
214-227
Music Emotion Recognition: From Content- to Context-Based Models
Mathieu Barthet; György Fazekas; Mark Sandler
228-252
Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons
Jens Madsen; Bjørn Sand Jensen; Jan Larsen
253-277
Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition
Erik M. Schmidt; Matthew Prockup; Jeffrey Scott; Brian Dolhansky; Brandon G. Morton; Youngmoo E. Kim
278-300
Sample Identification in Hip Hop Music
Jan Van Balen; Joan Serrà; Martín Haro
301-312
Music Similarity Evaluation Using the Variogram for MFCC Modelling
Lorenzo J. Tardón; Isabel Barbancho
313-332
Automatic String Detection for Bass Guitar and Electric Guitar
Jakob Abeßer
333-352
Using Oracle Analysis for Decomposition-Based Automatic Music Transcription
Ken O’Hanlon; Hidehisa Nagano; Mark D. Plumbley
353-365
Chapters/HeadingsAuthor(s)PagesInfo
Showing 1 to 20 of 31 entries
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