Chapter: Interleaf H: Gu's journey to the Louvre

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Home > Striking iron: the art of African blacksmiths / > Interleaf H: Gu's journey to the Louvre

Striking iron: the art of African blacksmiths / |

Roberts, Allen F.,; Joyce, Tom,; Berns, Marla,; Dewey, William Joseph,; Drewal, Henry John,; Goucher, Candice Lee,; Abiodun, Rowland,

University of California Los Angeles, Fowler Museum of Cultural History

Striking iron: the art of African blacksmiths /

Interleaf H: Gu's journey to the Louvre

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Authors

Colleen E. Kriger

ARI Id

1674302036033_49539903

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Chapters/Headings	Author(s)	Pages	Info
Preface 1: Lingua ferrum: soliloquies of smiths	Tom Joyce
Preface 2: Heavy metal: iron in the universe	E.C. Krupp
Preface 3: Ògún, the òrìṣà whose fame is worldwide	Rowland Abiodun
Introduction	Allen F. Roberts
The place of iron in African cosmologies	Allen F. Roberts
Supertransformers: iron smelting and gender	Candice Goucher
Iron's empowering presence	Henry J. Drewal
Interleaf A: Gẹ̀lẹ̀dẹ́ mask honoring blacksmiths	Tom Joyce and Henry J. Drewal
Potency conveyed with a hammer's blow	Tom Joyce
Interleaf B: Blacksmiths onstage	Tom Joyce
Precolonial currencies: value, power, and prestige	Allen F. Roberts
Blades: of hard work and honor	Allen F. Roberts
Interleaf C: Shona blades for the ancestors	William J. Dewey
Beauty that bites: creative virtuosity in African throwing knives	Patrick McNaughton
Interleaf D: For whose eyes were they? Calligraphic blades of Mahdist Sudan	Allen F. Roberts
Portfolio I: Currencies
Portfolio II: Blades
Ages of iron: origins of the blacksmith's art in Africa south of the Sahara	Shadreck Chirikure, William J. Dewey, and Scott MacEachern
Transforming culture: West and Central African iron archaeology	Scott MacEachern
Interleaf E: Ancient prestige works from the Upemba region of Central Africa	William J. Dewey
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