Chapter: Chapter 7. Virtual Jam: A Critical Analysis of Virtual Music Game Environments

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Home > Music Video Games > Chapter 7. Virtual Jam: A Critical Analysis of Virtual Music Game Environments

Music Video Games |

Michael Austin

Bloomsbury Academic

Chapter 7. Virtual Jam: A Critical Analysis of Virtual Music Game Environments

Chapter Info

Authors

David Arditi

ARI Id

1674355625612_8939883

Access

Not Available Free

Pages

177–194

Chapter URL

https://www.bloomsburycollections.com/book/music-video-games-performance-politics-and-play/ch7-virtual-jam-a-critical-analysis-of-virtual-music-game-environments

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Chapters/Headings	Author(s)	Pages	Info
Front matter
Dedication		v–vi
List of Figures		ix–x
List of Tables		xi
Acknowledgments		xii
Introduction—Taking Note of Music Games	Full Text Access; Michael Austin	1–22
One Preludes and Overtures
Chapter 1. SIMON: The Prelude to Modern Music Video Games	William Knoblauch	25–42
Chapter 2. Mario Paint Composer and Musical (Re)Play on YouTube	Dana Plank	43–82
Chapter 3. Active Interfaces and Thematic Events in The Legend of Zelda: Ocarina of Time	Stephanie Lind	83–106
Chapter 4. Sample, Cycle, Sync: The Music Sequencer and Its Influence on Music Video Games	Michael Austin	107–124
Two Virtuosi, Virtues, and the Virtual
Chapter 5. Consumerism Hero: The “Selling Out” of Guitar Hero and Rock Band	Mario Dozal	127–152
Chapter 6. Beat it!—Playing the “King of Pop” in Video Games	Melanie Fritsch	153–176
Chapter 7. Virtual Jam: A Critical Analysis of Virtual Music Game Environments	David Arditi	177–194
Three Concerts, Collaboration, and Creativity
Chapter 8. Guitar Heroes in the Classroom: The Creative Potential of Music Games	David Roesner; Anna Paisley; Gianna Cassidy	197–228
Chapter 9. Rocksmith and the Shaping of Player Experience	Daniel O’Meara	229–250
Chapter 10. Rhythm Sense: Modality and Enactive Perception in Rhythm Heaven	Peter Shultz	251–274
Chapter 11. Pitching the Rhythm: Music Games for the iPad	Nathan Fleshner	275–296
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